Full title
AuthorChinua Achebe
Type of workNovel
GenrePostcolonial critique; tragedy
LanguageEnglish
Time and place written1959, Nigeria
Date of first publication1959
PublisherHeinemann Educational Books
In-depth Facts:
NarratorThe narrator is anonymous but shows sympathy for the various residents of Umuofia.
Point of ViewThe narration is in the third person, by an omniscient figure who focuses on Okonkwo but switches from character to character to detail the thoughts and motives of various individuals.
ToneIronic, tragic, satirical, fablelike
TensePast
Setting (time)1890s
Setting (place)Lower Nigerian villages, Iguedo and Mbanta in particular
ProtagonistOkonkwo
Major conflictOn one level, the conflict is between the traditional society of Umuofia and the new customs brought by the whites, which are in turn adopted by many of the villagers. Okonkwo also struggles to be as different from his deceased father as possible. He believes his father to have been weak, effeminate, lazy, ignominious, and poor. Consequently, Okonkwo strives to be strong, masculine, industrious, respected, and wealthy.
Rising actionEnoch’s unmasking of an
ClimaxOkonkwo’s murder, or
Falling actionThe villagers allow the white government’s messengers to escape, and Okonkwo, realizing the weakness of his clan, commits suicide.
ThemesThe struggle between tradition and change; varying interpre-tations of masculinity; language as a sign of cultural difference
Motifs
SymbolsThe novel is highly symbolic, and it asks to be read in symbolic terms. Two of the main symbols are the locusts and fire. The locusts symbolize the white colonists descending upon the Africans, seeming to augur good but actually portending troublesome encounters. Fire epitomizes Okonkwo’s nature—he is fierce and destructive. A third symbol, the drums, represents the physical connection of the community of clansmen in Umuofia, and acts as a metaphorical heartbeat that beats in unison, uniting all the village members.
ForeshadowingThe author’s initial description of Ikemefuna as an “ill-fated boy,” which presages his eventual murder by Okonkwo; the arrival of the locusts, which symbolizes the eventual arrival of the colonizers; Obierika’s suggestion that Okonkwo kill himself, which foretells Okonkwo’s eventual suicide
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